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Casella di testo: the room by Harold Pinter  

Casella di testo:        There are no hard distinctions between what is real and what is unreal, nor between what is true and what is false. A thing is not necessarily either true or false; it can be both true and false. Harold Pinter       The Room sets out, in prototype form, many of the themes that dominate Pinter's best work. A housebound wife and her silent husband find their home mysteriously threatened by a domineering landlord, a pushy couple, and a blind man. There is an unspoken sense of threat, of impending catastrophe. The air is thick with violence, and the greatest threat is to the certainties of their home. False and true chase in this performance, the game where maybe someone is cheating, what's underneath? Doubt is the strength and driving force behind this sharp text in which Rose feels invading her space by enigmatic presence, suspicion and menacing characters in a state of psychological warfare.    A universe earthquake to tell us the daily violence of monstrous beings, made real by gestures paradoxically abstract, estranged from a recitation that leaves its mark. Maria Grazia Gregori, Delteatro.it With great fidelity to the text of the two performers make it a kind of Grimm's fairy tale, cruel, sure, but correctly padded and readable by many different perspectives. Gianfranco Capitta, Il Manifesto Unmissable and very stimulating. Marco Brandolin, Messaggero Veneto. Excellent proof that masterfully enhances the density of contradictions, tensions and allusions through a refined staging. Alberto Rochira , Il Piccolo The two performers, true to their poetic and use of objects in an original theater, driving on a strange ability to make all "oversize" through the use of beautiful scary masks  that hide their faces and create subtle distortions in the sensory of spectator. Andrea Porcheddu Delteatro.it        ph nicola boccaccini 

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